To celebrate my birthday, all my knitting patterns are on sale! From now until August 22nd, everything is 40% off! No coupon code or Ravelry account required. Click the button or photos below to head over to Ravelry, add the patterns to your cart, and the discounted price will show up automatically.
And because it’s my birthday, I’m taking the week off. I’ll be back next week with more knitting and spinning goodness.
It never fails. No matter how diligently or how much I swatch for a new hat, the first time attempt is always too big. Even when I throw in the 10 - 20% amount of negative ease that I like in my hats, too big. I added an extra repeat to the Regina Hat and knit an inch of ribbing before trying it on. Here’s the ribbing with a copy of Yarnitecture for scale. Way too big.
I put the hat out of sight until I felt like ripping out and starting all over again. That turned out to be a few days before I needed some simple knitting for a day trip. Casting on 100+ stitches at home sounded a lot better than frogging and casting on 100+ stitches on a bumpy road. So I grudgingly got to work.
Here’s a tip that’s saved me a lot of frustration over the years. Whenever I have to cast on a large number of stitches, say more than 80, I use stitch markers. It’s easy to count to 20, place a marker, and start another group of 20 stitches, than count more than 100+ stitches at once. The number of stitches in a repeat is a nice place to drop a marker too. Those markers mean that interruptions aren’t as big a deal. Also, you don’t have to question if that was the 82nd stitch or the 83rd before giving up and starting from 0 just to be sure. This trick is just one of the reasons I have so many markers.
I got a few rounds on the needles and packed it into my purse with the pattern and my usual notions. Travel knitting ready and waiting to go.
Ended up with a nice chunk of time in the car and another inch of 1x1 rib. The hat actually seems to fit this time! Thankfully, the second time is usually the charm. I didn’t spend the entire time looking at my hands which is why I keep my travel knitting simple. I want to enjoy the sights and the adventure, not be stuck looking at my knitting counting increases. Ended up seeing a lot of beautiful landscapes, incredible views, and chubby marmots at Rocky Mountain National Park.
And that's a wrap! Another Tour de Fleece is behind us. If you spun along this year, I hope you enjoyed yourself and made handspun you can't wait to use.
While I didn't spin every ounce of fiber I pulled from the stash, I'm still pleased with what I did accomplish. I started spinning just for the fun of it with the rough goal of making a heavier than a sport weight yarn. Definitely succeeded on that count. The first skein of the Tour is a textured bulky yarn and the closest I've come to spinning art yarn in awhile. It's 158 yards of Shetland Wool, Alpaca, and Silk Noil. You can read more about the technicals of how I spun it here.
The second skein started as 4.2 ounces of hand painted top and turned into 260 yards of aran weight. I split the top in half down the middle. The first ply I spun as is and second I split in half again. It made a nice lazy fractal that I really want to knit. Pretty sure I've got enough yardage to make a small Boneyard Shawl if I knit at a loose gauge.
I spent the last chunk of Tour de Fleece doing some challenge spinning: 4 oz of alpaca batts. Plus, I got to check "Spin a batt I made myself" off my goals for this year. My previous attempts at spinning alpaca turned out wiry and over twisted, and I wanted to do a much better job with this batch. Obviously, I haven't plied it yet but I'm pleased with what's on the bobbins. It's got a reasonably smooth surface and is still soft. Seems like it's got enough twist to hold together during plying too. I'm cautiously optimistic about getting a soft, cushy yarn that'll do justice to the 10 years I've been waiting to spin this precious fiber.
What I didn't do much of was play around with my drum carder. I got 2 batches of fiber through for one pass each. Then I hit a snag. The locks I'm working with are a bit felted. Teasing them open helped get them onto the main drum, but a good quarter of the fiber stayed trapped in the tines when I peeled the batt off. Got any tips for picking the fiber off the drum? I haven't found a good solution that doesn't involve teasers and a lot of time.
Drum carder snag aside, this was a good Tour de Fleece. I enjoyed spinning everyday - even on rest days - and spun just for the fun off it. I joined a few teams and had fun sharing and talking to other spinners. I’m pleased with all my new handspun, and even have a few ideas of what to do with it. So I’m calling this Tour a win.
How did this Tour de Fleece go for you? Did you learn something new or try a new fiber? Spin a lot or a little? Make yarn you can’t wait to use?
I admit that I haven’t really been keeping track of the day to day calendar of Tour de Fleece. When are the rest days? No clue. I’ve just been spinning every day and having fun with it. The only reason I figured out Sunday was a challenge day was because I happened to check the forums that day. By some random happy coincidence I just so happened to have some challenging spinning.
If you’re not familiar with Tour de Fleece, or Tour de France, there are 3 challenge days when riders tackle mountains with steep grades above 10%. Spinners get to set their own challenges. I was fairly sure that I was going to tackle some sort of art yarn construction. Instead I pulled 4 oz of alpaca batts out of the stash. I haven’t spun a lot of alpaca, and my last attempt had so much twist that it was a wiry, prickly beast. So I’ve been hesitant to try again. Making the mental hurdles even taller is that fact the Bearded One gave me this fiber when we were dating many, many moons ago. I’d had it for several years and it was scary enough to put the fiber through a rented drum carder in 2013!
Let’s do a little math. The shearing date on the label says 2007. I turned the alpaca fiber into batts in 2013. Now it’s 2017. I’ve had this fiber stashed away for 10 years! To cut myself a little slack, I was only just getting into spinning in 2007 and didn’t truly learn for several more years. Still, 10 years is way too long for such beautiful fiber to be hiding away in my stash.
The batts are 100% alpaca and one solid color. Since there was no need to preserve color sequences, I split the batt into strips and started spinning. I wanted a smoother fiber and went with an inch worm worsted draft and an 8.0:1 ratio to keep from over twisting the fiber.
I finished drafting the first batt yesterday, and it was much simpler than I expected. Could be that my spinning has improved in the years since I last attempted spinning alpaca. Could be that my brain made things much harder than they had to be. Sometimes the mental hurdles are the hardest to jump.
This fiber is special and I don’t want to waste a single bit of it. The batts aren’t all the same so I’m going to spin each one separately and ply them back on themselves. Sure, it’s more work, but I could use the practice. And I can’t help but picture how cute 4 little skeins are going to be.
And in non-challenge spinning, I finished plying the 4.2 ounces of hand painted green top! I know I said the galactic handspun was the most yarn I’d ever packed a bobbin, but this skein beats even that. I hand wound a good chunk of the yarn onto the bobbin, and don’t think I could get another yard on there if I tried. Really curious about how much yardage is packed on there because I’m tempted to turn it all into a Boneyard Shawl.
Wednesday, July 12th, is the official end of The 100 Day Project. I have spun yarn, swatched with said yarn, and fiddled around with my drum carder to prep fiber to spin into yarn. There was one day at the beginning when I completely forgot to spin something until I was tucked into bed, but the other 98+ days have not lacked yarn or spinning or fiber.
I started this project with 5 goals that I thought would be easy to do over and over again for 100 days.
Sit down at the wheel and spin! - This part was pretty easy and what I did for most of the project.
Fiber prep counts. So taking a few days (or weeks) to learn how to make batts or practice hand carding is encouraged. - I didn’t do as much of this as I thought I would. My lofty idea that I’d be churning out batt after silky batt didn’t happen. I did pull out some locks and start figuring out my drum carder’s quirks though.
Work out of the fiber stash and see just how far it’ll go. - I have bought the occasional bump of fiber and gotten samples to spin from classes, but the bulk of my spinning has been from stash. The stash bins do look a little emptier.
On busy draining days, reading about fiber, breed characteristics, and yarn construction is a-ok. What good is having a spinning reference shelf if I never use it? - This didn’t happen outside of my usual blog reading, which I do regret. Maybe my next bookshould be Yarnitecture by Jillian Moreno?
Share the day’s spinning on Instagram and in blog posts. I’m using #100HandspunDays to keep things organized. - I shared some of this project on IG, but my attempt at this really fell flat. I did share a lot about #100HandspunDays here though. Thanks for following along!
I took Maggie Casey’s class You Can’t Tell A Braid By Its Color and learned about different ways to spin color.
I finished spinning a long purple gradient that had been lingering on the bobbins for far too long.
Then I started a new big project, 500+ yards of fingering weight yarn. Learned to love spinning sample mini-skeins too.
And I spun just for fun with batts and other little stashed treasures.
All these months of spinning made it a lot easier to plan for Tour de Fleece.
I somehow tricked myself into thinking #100HandspunDays ended last Sunday. So these last few days seemed like a surprise bonus. When I thought that the project was over, I was surprised at how strongly I didn’t want to stop. I want to keep spinning and to keep learning more about spinning. Besides from getting me a lot of great new yarn, #100Handspun Days has shown me that I’m not ready to give up on my wheel and making yarn. It’s something I still enjoy and want to do. Sure, there will be times where this need will ebb and flow, but it’s not going to dry up over night or over a couple months.
Once #100HandpunDays is officially over, I’ll be putting my spinning motivation into Tour de Fleece. The past week’s project has been 4.2 ounces of hand painted top. I split the top in half down the middle and spun the first ply. I split the other half in half again to create shorter color segments for the second ply. Almost finished with the second and then it’ll be time to ply. I’m curious to see how the yarn comes together.
Tour de Fleece kicked off on Saturday! What’s Tour de Fleece? It’s a giant, international spin-along that runs along side the Tour de France. This is my 4th year spinning with the Tour, and I wholeheartedly recommend joining up if you’ve been on the fence. It can be a personal challenge or a team affair or both! It’s still early and not too late to start.
I’m not setting a ton of complicated goals this year, but keeping things simple. Spin every day. Work from stash. Spin a few batts I’m going to make on my drum carder. Anything else is a sparkly bonus.
I tossed my fiber stash out of its bins a few days before the Tour kicked off and it looked like a wooly explosion. There was roving on my desk and couch. There were batts on the floor and chilling in the corner. Hand dyed fiber everywhere. By the end of it, I’d picked what I want to spin and better organized the fiber stash. Here’s what I’ll be spinning for the next few weeks.
I wanted to kick of the Tour with something fun and easy so I started with the 4 oz of carded roving. It’s a blend of shetland wool, alpaca, and silk noil. Just looking at all that silk noil, I knew there was no way it would turn into a smooth, even yarn. So I drafted long-draw and occasionally double drafted the larger chunks.
I ended up with 2 almost overfilled bobbins that I plied last night. Not even the bulky flyer with a jumbo bobbin was big enough to get all this yarn on by itself. Once no amount of tension would feed yarn onto the bobbin, I had to do it by hand. It went something like this: ply as long a length of yarn as my arm would allow, wrap yarn around my fingers, turn bobbin to slowly feed yarn onto said bobbin, and repeat. Not a quick process, but I got all the yarn plied. No mini-skeins here! And the bobbin is absolutely packed with bulky yarn. Can’t wait to get wound into a skein and see how much yardage I have.
I also pulled out the drum carder, and I’m starting simple with this too. The carder is new-to-me and I haven’t used it until a few days ago. Before I get into making complicated multi-fiber art batts, I wanted to see if the carder had any quirks. Last year I bought 4 oz of dyed wool locks to try out the carder, so I started with them. The fiber is slightly felted so it’s more difficult to process than I expected. And taking way longer to process than I expected. I’ve been putting on a little bit at a time since Friday afternoon, and I’m about halfway through the first pass. I’m pleased with what I’m getting off the carder and plan on putting the fiber through at least once more to smooth it out. Maybe by next week, I’ll have a few new batts to spin.
So that’s how my Tour de Fleece is going. What about your Tour? Keeping your spinning simple or doing something big?
I’ve really enjoyed spinning and working on the epic green yarn. It’s pushed me to be more consistent with my drafting. It’s made me be more intentional and focused on the details because I can’t spin 500+ yards of fingering yarn otherwise. On the whole, the project is going well. I’ve finished the first round of sample skeins and I’m in the middle of swatching to see how they knit up. Then I’ll spin another round of sample skeins if I need to make changes. Which means at least another round of swatching before starting on the final skein. Glad I’m not on a deadline because this handspun is not a quick project.
In the downtime between steps for the epic green yarn, I worked on a few smaller spinning projects too. The main goal of my #100HandspunDays project is to spin every day, and quick projects I don’t have to continually measure and refine let me do that. Plus, I get to play and spin to see what happens instead of working towards a specific result. Don’t get me wrong, I enjoy playful “spinning for the joy of it” as much as “spinning for a specific project”. Each of those projects scratches a particular spinning itch. Sometimes I want to play and see what happens. Sometimes I want to take notes at every step while I spin a specific yarn for a specific project. These two opposites feed and encourage each other. I’d get bored only doing one or the other. What about you?
I’ve spun a few skeins (and a few mini skeins) when the green sampling wasn’t filling up all the bobbins. The first started as a wild batt that I bought in 2016, and didn’t get a good luck at until I opened it up this month. The colors moved from yellow, to orange, and then pink with random bits of sparkle mixed in. Sunset, anyone? I wanted to preserve the colors so I split the batt into strips, pre-drafted the fiber, and spun it in order. After spinning so much time working towards a smooth, fingering yarn, it was hard to let the fiber do its thing. I picked out the veggie matter, but didn’t do anything else. The ply was thick and thin with random clumps. Chain-plying only magnified those qualities.
I talked my self out of taming the yarn so many times, and I’m glad I did. The 74 yards of more-or-less bulky yarn are so fun to look at. I’m glad I didn’t take the life out of this yarn. Now I get to figure out what to do with it.
One of my other small projects is much closer to what I normally spin. One ply is a wool/silk blend of blues, purples, and grey. I paired it with a solid grey to get more yardage. The colors are subtle, but the silk pops and catches your eye. I had leftovers of the wool/silk and plied it with itself to make a mini skein. I want to use the two yarns together for a project and the combined 160 yards gives me a lot of options. The pair might make a nice hat or fingerless mitts with extra long cuffs.
I’m still swatching the sample skeins for the epic green spin (really like what I’m seeing too). I’ve got time to spin a few more small projects, but I’m going to switch things up a bit to prep for Tour de Fleece. #100HandspunDays officially ends on July 4, and one of my goals was to learn to make batts on my drum carder. I haven’t even touched the thing yet so this week is all about playing and making batts. Then I get to spin them when Tour de Fleece kicks off on July 1. Sounds like a good plan to me.
Time for an update on the epic green handspun project. When last we saw our fiber I shared why I bought this particular roving and my plans for sampling and spinning it. You can read more about that here. Our dashing roving has gone through quite a few transformations since then!
Okay, I’m ditching the transatlantic narrator accent, and getting back to business. I’ve learned a few things from spinning samples for this batch of handspun. The end goal is still the same: 500 - 600 yards of 2-ply fingering weight yarn that’ll look good as a lace shawl. I’m glad I started small and tested different techniques. Working fast and small let me refine the methods I’m going to use when I spin the real yarn.
I had 3 questions I wanted to answer with the samples. How should I handle the color to prevent barber poles? How much fiber am I going to need to spin 500+ yards? How do I set up my wheel to consistently spin a fingering yarn?
To keep the variables to a minimum, I used 5g of fiber for each sample with a more-or-less equal mix of light and dark green. I used the same ratio, 15.5 : 1 on the Schacht fast whorl, to draft and ply each sample. I set the twist and finished each skein with a 15 minute soak in cool water with Eucalan, and hung them to dry.
This first sample was my control and I did exactly what I don’t want to, spin a barber pole yarn. One ply was dark green and one ply was light green. It’s pretty and I like the variation of the light green ply, but it would only obscure a lace pattern.
Sample 2 is where I started changing things up. I split the roving down the middle to make smaller sections of color and pre-drafted the fibers. Then I held two strands of the roving together with the light and dark greens together. The photo below shows what this looks like.
I admit to being a little lazy on this sample because I spun just the one ply, wound it into a center-pull ball, and plied it with itself. So I’m not sure how much of the color variation is due to the dual drafting and how much is due to plying from a center pull ball. It also has way more twist than the other 2 samples because I had to fiddle with the ball to keep the plies evenly tensioned. All these factors considered, I think the color handling moved in the right direction.
I wasn’t lazy this time and spun 2 separate plies. I split the roving in half and in half again to create even smaller portions of color. I gave dual drafting another try, making sure to pair light greens with dark greens as much as possible. The resulting yarn is much more even in tone and color. There are pops of light and dark, but the yarn reads as a semi-solid instead of a variegated. That’s a big difference from the original un-manipulated fiber. It’s also exactly the effect I was going for.
So I’ve got the color thing figured out. What about yardage and wheel set-up? My math tells me that I have more than enough fiber to spin the required 500 - 600 yards. As for wheel set-up, I’ve got the right ratios and tension to spin a fingering weight yarn so long as I’m careful. If I get lazy, it’ll turn into a sport weight like so many of my other attempts at spinning fingering weight yarn. That tells me I need to get better at measuring my plies during drafting. Jillian Moreno wrote some handy guides on the subject, A Spinner’s Compass: Measuring and Documenting Your Yarn and Keeping Track While Spinning and Lazy, that I’ll be using as guides. I’m specifically looking to measure ply diameter as well as twist and plying angle. So I’ve ordered a spinner’s control card and I’m making up an angle gauge to measure twist.
There’s still one more step before I move on, swatching my samples. Seeing the yarn in the skein is one thing, and knitting with it is another. I’ll show you the results in the next progress report.
Early this year I started putting together a list of 100 things I wanted to do. There are small things like riding my bike around town and big things like taking a trip to Yellowstone. I am no where close to even having 100 things I want to do written down, let alone completed, but a big chunk of that list is fiber arts related. No surprise, right? Well, I wrote “Go to a fiber festival” and I was finally able to do just that on Saturday at the Estes Park Wool Market.
There were sheep, goats, llama, and alpacas. Some of them really hammed it up for the camera.
I tempted the Bearded One to come with me with the promise of herding dogs. We were able to see amazing Border Collies at work, and then we got to pet them! They were such a sweet bunch too. This handsome guy’s name is Bruiser.
There were so many venders with beautiful yarn and fiber, and I couldn’t resist enhancing the stash. I fell hard for 200 yards of bulky 100% alpaca spun together with metallic thread. So soft and cuddly. Then I broke from my usual color scheme and bought a wild variegated skein of pinks mixed with dark, muted colors by Traci Bunkers. And I got an awesome wool/bison felt hat from The Buffalo Wool Co. It kept the sun out of my face for the rest of the day. Looks good too.
The last thing I bought was an orifice hook for my wheel. I’ve only been trying to find one that would comfortably fit my hand for literally years. I found this one at Clemes & Clemes. It’s made of hand turned maple with a long hook and a spot to attach a charm or lanyard. Tried it out when I got home and it’s perfect.
Wool Market was a great first fiber festival and I’m looking forward to going again next year. Hopefully, I’ll remember to sign up for a class or two before the deadline. I’m also thinking about submitting a skein or two to the handspun competition.
Saturday also happened to be World Wide Knit In Public Day. I made sure to get my knit on during a side trip to Rocky Mountain National Park.
I knew I was going to have leftover yarn. Not a tiny little ball I could put in my hand and post to Instagram tagged #socute. Nope. After binding off the February Baby Sweater, I had about 125 yards to work with and I want to make something cute to match. I thought about booties and hats but shelved the idea. I wanted something that could be used and enjoyed for more than a few minutes before being tucked away in a drawer to keep safe for later. A cute, soft toy seemed like just the thing.
Every toy I’ve made from a Rebecca Danger pattern has been a big hit. Like this cat that’s now a favorite. And this tiger. I picked The Inseparable Beatrice and Bernard this time because they’re adorable and not too big. The fact that the duo is a relatively quick and easy project might have had something to do with it too. Didn’t hurt that I already had the right safety eyes too.
I knit the arms and tail first just to get the fiddly bits out of the way. Knitting the bodies went fast once I actually sat down to do it. I followed all my usual mods, which I’ve listed on the Ravelry project page, and ended up with 2 adorable buddies. And who could resist that cute bunny tail!
Pattern: The Inseparable Beatrice and Bernard by Rebecca Danger
Yarn: 57 yds Cascade 220 Superwash - Lake Chelan Heather
Needles: US 4 (3.5 mm)
Dates: March 28 - April 28, 2017
I spent the first few months of 2017 working on secret knitting. It was a baby gift for a good friend of mine, and now that the sweater is at it’s new home, I can share it with you too. When I first heard that my friend was having a baby, I thought about making a blanket. She had plenty of those coming in though so I decided to make a cute sweater instead. After scrolling through page after page of baby sweaters on Ravelry I picked Elizabeth Zimmerman’s February Baby Sweater. The pattern has been in my queue for awhile but that’s not why I picked it. It looked cute and I wanted to make something with lace for a dedicated lace knitter.
I went into this project knowing EZ’s patterns have a reputation of being, as she calls them, “pithy”. Concise, terse, succinct, condensed… Having made a Pi Shawl a few years ago, I thought I knew what I was getting into. I was mistaken.
After years of knitting from (and writing) more detailed row-by-row instructions, the 3 paragraph pattern took some getting used to. It wasn’t that the pattern was hard to understand - the gist of it was definitely there - I just had a lot of questions about specific details. So I had to answer them for myself. Thankfully, lots of other people have knit this sweater and I found helpful mods and size charts to make a 9-month sized sweater. Swatching was definitely a requirement.
Since I was writing more detailed instructions to work from, I made a few of my own modifications to knit the sweater to my own preferences. You can find the full details on the project page.
The February Baby Sweater is definitely worth the effort, and I encourage you to make one yourself. I say this counting the time that I frogged the sweater back to the cast on because I had to re-do the yoke increases. Figuring out how to get exactly what you want out of this pattern is a good test of skill that will up your knitting game. Plus, the lace and garter stitch are an absolutely beautiful combination. I am proud to give this sweater to a good friend who is also an amazing knitter.
P.S. Since this post has gotten on the long side, I’ll show you what I did with the leftovers next.
Pattern: Baby Sweater on Two Needles (February) by Elizabeth Zimmerman
Yarn: 317 yds Cascade 220 Superwash - Lake Chelan Heather
Needles: US 6 (4 mm)
Dates: January 18 - April 28, 2017
Sometimes my knitting projects sit around for the silliest reasons. Like this one. It’s the Feeling Groovy shawl by Nim Teasdale. I started it last year as a bit of selfish knitting after finishing all my holiday gift knitting. I was making good progress on it too until I added another step. I wanted to know how many repeats I could work before starting the decreases.
Step one involved measuring how much yarn I had . Step two was working up a repeat, or two, or three. Step three, measure how much yarn I used. Step four, do the math.
Enter the silliest reason to hold myself up. I did weighed the yarn and then got stuck on the knitting a repeat or two. I made lots of excuses why the time was never right to knit the repeats, and made the whole process much harder than it had to be. Ugh. Then a bunch of other important must-do’s came up and the shawl languished in a project bag for a few months. Eventually I needed new purse knitting and this shawl was the easiest thing to grab. The shawl was getting bigger but I still needed to know when to start the increases.
Side note: The pattern has some helpful notes on when to start the decreases, but I’m knitting the shawl at a tighter gauge. So I have to do my own yardage calculations for this.
I went back to step one, kept detailed notes, and got to work on the calculations. Spreadsheets make this kind of number crunching pretty easy, but it’s still time consuming. A couple of uninterrupted hours later and I knew the absolute latest point to start the decreases and use the most yarn. The good news? There was only 1.5 repeats between me and the first bind off.
I haven’t been able to put the shawl down since. It’s been my constant companion during long drives, low key parties, and tv time. And I bound off the first point yesterday! There’s still a lot of stitches between now and binding off the last stitch, but it won’t take long at the rate I’m knitting. If I hadn’t let some silly excuse hold me, I’d probably be wearing this shawl right now. Well, it’s summer, so probably not right now, but maybe during that last surprise snow storm.
A good friend of mine has said for years that she’d like to knit with my handspun. I kept the request in the back of my mind, but didn’t really take it seriously until I was able to consistently spin the kind of yarn she liked to use. That would be fingering weight yarn. We settled on 2 choice skeins of 100% cashmere as equitable bribery, I mean compensation, and I got to work.
The first step was finding the right fiber. My friend likes to knit complicated lace shawls and wants to make one with this handspun. So right off the batt, I had a clear set of requirements to meet:
I’m happy to have these very specific requirements, because they take a lot of the guesswork out of the process. Instead of constraining me, knowing the end goal for the yarn makes it easier to spin. I get a clear vision of what I’m working toward from the beginning which is rather freeing. As much as I enjoy spinning for the fun of it, finding something to do with that “just for fun” yarn can be frustrating.
It took me a few months of looking around online, in stores, and at festivals before finding fiber I thought would work. After getting an okay on the color, I ordered 8 oz of Dreaming in Green, a BFL/Silk blend from Three Waters Farm. I’m not going to need all 8 oz for the handspun, more like 5 or 6 oz. Those extra ounces are for sampling. Before I dive straight in to spinning 600 yards of fingering weight handspun, I need to make sure I am. It’d be an expensive failure if I made 400 yards of worsted weight by accident. Sure, the yarn would be pretty, but not what we want.
Sampling will help me figure out the right ratios and tension for my wheel. I’ll be able to fine tune my worsted drafting for a wool/silk blend. Equally as important, I can try out different methods of handling color to find what works for lace. Then I can wash and set the twist on the sample skeins to see how that changes the yarn. I’ve spun many a yarn that looks like a sport weight when it comes off the bobbin and blooms to an aran weight after setting the twist. That cannot happen this time.
So I pulled off 2 oz to experiment with. There’s no deadline and I’ve got time to answer any questions that comes to mind. I might even knit a few swatches. Time to get sampling.
And done! The extra long purple gradient I’ve been working on since mid March is finally yarn and ready to knit. I tackled the last bit of spinning and plying last week, and got the handspun off the bobbins on Sunday. Then the later skeins got a bath to set the twist before I hung them up to dry. In fact the bigger skeins were still a wee bit damp when I took these photos.
This felt like such a big project when I was in the middle of it. I usually spin 4 ounces at a time and keep it as one big skein. Working with 6 ounces and splitting it into 8 mini-skeins definitely changed things up. There was more upfront prep. More bobbins. More plying. More letting the twist rest overnight. More baths to set the twist (otherwise I would have mixed up the gradient order). All that extra work tricked me into thinking it was a much larger project than it was. An additional 2 ounces of fiber isn’t all that much, nor is 6 ounces anywhere close to a sweater quantity of handspun. When I look at the skeins all lined up, they still seem like a big project because I know just how much work, time, and brain space when into making them. Because of that, I’m proud of all 8 of these skeins. They’re the same weight and have the same finished texture. I feel like I can move onto bigger and more involved spinning projects now. Might not be all that long before I start spinning yarn for a sweater. Or a giant blanket.
I really enjoyed spinning this fiber, and I wish I could remember the vendor I bought it from. All I know is that it’s wool and that it was one of the last things that caught my eye at Interweave Yarn Fest 2016. I wish I’d put all the details up on the Ravelry stash page when the info was fresh in my mind. Maybe I’ll find the receipt, but I doubt it.
Now for the technical details. Since it had been so long since I saw what was in the middle of the roving ball, I laid it all out flat. Wasn’t sure what I wanted to do before, but seeing the complete color gradient made my decision easy. I split the gradient into its 8 major color sections and wound them into nests, making sure to keep the colors moving in the same direction. I wanted to preserve the colors and variation within each section as much as possible so I decided to chain ply.
I started with the smallest nest of fiber which just so happened to be at one end of the gradient. Then I treated this first skein as a sample to figure out how I wanted to spin the 7 other bigger skeins. You can read more about that process here.
Once I figured out which drafting method worked for the fiber and the finished yarn, the only thing left to do was to get spinning. This fortunately coincided with the start of #the100DayProject where I dedicated myself to making yarn everyday for 100 days. That little bit of daily spinning, even if it was only 10 minutes, really added up. And the 100 Day Project kept me spinning even on busy days when I would have skipped it otherwise.
Almost 2 months later, I’ve got about 560 yards of sport weight yarn. I’m sure that number shrunk when I set the twist, but there’s still plenty of yardage to make a cosy shawl. I have an idea in my head for what that will look shawl will like, and I’m almost ready to get that down on paper. I think it’s time to get swatching.
I usually keep a knitting project in my bag for when I’m out and about, but not in the past few weeks. None of my other projects are suited for purse knitting. They’re too big, too complicated, or too bulky. So I’ve got to start something new so my bag doesn’t feel worryingly empty.
I want to make a pair of mitts from my Sockhead leftovers but I can’t decide how just what I want the pair to look like. Plus it’s hard to design a pattern and write down the instructions standing in line at the grocery store. Socks, my usual travel project, aren’t all that exciting right now. What I really want to knit is another hat from fingering weight yarn. I even picked out a pattern, Regina by Alex Tinsley.
Casting on willy-nilly for a fingering weight hat seemed like a bad idea so knit a small swatch last night. It went well until I started the pattern. I managed to muck up the lace on row 3. Not a good sign. And I definitely need a cable needle to work the cable twist. Plus, I’m not a fan of how firm the fabric is working up which means I need to go up a needle size or two.
The swatch wasn’t a total waste though. The ribbing looks good and stretchy on the current needles which is a good start. I like how the yarn, Knit Picks Hawthorne Kettle Dye in Picnic, is working up too. It’s a good fit for the pattern and adds interest without overwhelming the lace and cables.
After a bit more swatching with a larger needle or two, I’ll be able to cast on for real. The ribbing will be good purse knitting after all. Still not sure what I’m going to carry around in the mean time.
I was kicking myself for taking so long to make this hat because it seemed like I’d finish it just to pack it up for next Winter. But then it started snowing the afternoon I bound off. So, I guess my timing was perfect.
The Sockhead is the first hat I’ve made out of fingering weight yarn. Every other hat I’ve made has been knit from sport, worsted weight or bulkier. Those yarns certainly work up faster, but I also thought they’d be warmer because it’s a thicker layer. This hat, worked at reasonable gauge of 8 stitches an inch, certainly proved that theory wrong. The Bearded One and I went on a spontaneous 8+ mile walk through the falling snow. I wore snow boots, a down jacket, this handspun cowl, and of course the Sockhead hat. Not once did my head get cold even with the wind and heavy snow flakes.
And the other thing that makes this hat awesome is that it has the perfect amount of slouch. I can fold up the ribbing for a medium slouch (and extra warm ears) or not fold it all for maximum slouch.
There’s also something to be said to have a hat that looks good with pretty much every coat I own. And having enough yardage leftover to make a matching pair of mitts is icing on the proverbial cake.
I know it’s a lot of “boring” stockinette, but if you’ve got a skein of fancy sock yarn that doesn’t want to be socks or a shawl, consider making a Sockhead Hat. The finished hat is definitely worth the effort.
The Specs:
Pattern: Sockhead Hat by Kelly McClure
Yarn: 319 yds Rio de la Plata Yarns Sock Multicolor (sadly discontinued)
Needles: 2.5 mm circular needles
Dates: February 19 - April 27, 2017
@Ravelry
There’s been a lot of making going on around here, and I have #The100DayProject to thank. I was in a bit of a making rut the past few months. Didn’t really want to knit, spin, or draw beyond the simplest doodle. Reading, video games, and staring on my phone claimed my free time. I don’t regret how many books I read or hours spent playing games, but I knew I’d need a push to get making again. #The100DayProject turned out to be just the thing.
I had started spinning the big purple gradient in March in bits and pieces. It certainly wasn’t the every day project that it is now. I’m glad that changed because there’s no way I’d have 4 finished skeins and have started the 5th otherwise. Being halfway through with what feels like a rather large project - at only 6 ounces of fiber total, it’s not - is rather nice. I had a sneaking suspicion that would be the case.
What I didn’t expect was that a routine of daily spinning would bring back my drive to knit on slumbering projects, draw more complicated sketches, and even fiddle around with video editing. At the beginning of March just the thought of that stuff made me tired. Now now. My Sockhead Hat is a few rows taller and my past due gift knitting is almost done. My sketchbook is getting full and I put together a short video of a bobbin filling up with chain-plied yarn.
I wish I could put my finger on exactly why a daily project recharged my creativity. I’d certainly use the trick to hack my behavior on a regular basis. Maybe it’s seeing daily progress. Maybe it’s because I’m solving puzzles and focusing on the details. Whatever the cause, this high tide of creativity isn’t going to last forever, so I’m going to enjoy it while it’s here. Then I’ll enjoy the low tide too and take a break. When I’m ready to start making again, I’ll pick another daily project and see where it takes me.
I’m happy to say that the #100handspunday project is still a daily thing. Aside from 1 day during the first week, I haven’t pushed a day off to do on the next. It’s hard for me to get going again once that little chain of “x’s” breaks for any reason. So I don’t stop, even on the long days. That’swhen I get handspun off the bobbins and measure yardage. Then there are the days when I can spin for an hour and go back for more after stretching my wrists.
A little bit of flexibility has been key for me keeping this project going. The second part of Maggie Casey’s You Can’t Tell A Braid By It’s Color has also helped me spin every day. First, it’s a spinning class and you actually have to spin yarn. That took care of 2 days right there. Second, I had to spin samples for homework which took up a good chunk of last week. Third, the class pushed me right out my usual spinning comfort zone.
We worked with several colors and fiber that I liked and wanted to try, such as the blue silk/wool single, but also colors that wouldn’t be my first choice. The rainbow single is a mix of bright saturatedcolors that I drafted together with more muted tones. I didn’t expect to like the combo (wish I’d taken a before photo of the fiber) and was pleasantly surprised at how the colors melded.
When I was spinning samples for plying, I paired like colors together. There was a semi-solid dark blue paired with bright blue and purple. Another pair was a solid red single and a striped blue and red single. The blues turned into the really interesting 2-ply on the left.
The red pair turned into first attempts at different yarn constructions. There was a 4-ply cable, which I’ve only got a yard of, and the chain-ply, above right, spun with 2 plies instead of 1. I could have used an extra hand or two because you’re only looping 1 ply at a time and bringing the other along for the ride. Getting the tension right is trying.
The skein in the middle is a bright red and purple fractal yarn. I’ve spun plenty of fractal yarns, but chugged along on this one because the colors aren’t my usual pick. Curious to see how it knits up.
I had a few samples leftover so I spent yesterday plying them in different ways. Now I need to get them off the bobbins and set the twist. Also plied a few other leftovers that had been hanging around. Looking forward to all the mini-skeins that will come out of this.
The class got me thinking about color and spinning in a new way. My previous modus operandi would be to to spin yarns to preserve the color with clear distinct stripes, chain-plying, or singles. If I was feeling more adventurous (and the dye pattern of the fiber was clear), I’d aim for a fractal. Or I wouldn’t bother at all and just spin a 2-ply or 3-ply.
I’m sure I’ll still do all of those things, but now I’ll sample to see how colors will blend and heather in the drafting. I’ll try to figure out how to pair wildly different colors and braids together to create a specific effect. I’ll give more consideration to how construction and yarn weight affect color. I’m also going to sample more and do it for fun. I really liked those bite-sized chunks of spinning because of how wild the results might be. It’s also given me an appreciation dyed with bright saturated colors because I know they can be tamed and changed.
If you get the chance and you want to explore spinning color, You Can’t Tell A Braid By It’s Color is a class worth taking. You can read my thoughts about the first part of the class here. It’s changed my outlook on dyed fiber and gave me the tools to manipulate color through every step of spinning. Plus, it’s given me plenty of ideas for what to spin for the rest of my #100HandspunDays.
#the100dayproject and my 100 days of handspun started last Tuesday. I already missed a day, but I did make it up when I had both the time and energy to spin yarn. And, in a happy coincidence, the project kicked off the same week that I was going to a spinning class. Maggie Casey was teaching You Can’t Tell A Braid By Its Color, a 2-part class about different ways to spin and manipulate color.
Part 1 focused on drafting. We got a few different kinds of dyed fiber to work with: top made of longitudinal stripes, semi-solid colors, heavily blended heathers, splotchy dye jobs, and top with long sections of color. I made fine fingering samples and bulky samples. I spun worsted, long-draw, and even over the fold. I spun the fiber as is, pre-drafted, and teased out sideways. I divided fiber into narrow strips to change the ratio of colors. All of this to see how these methods affected the color in the singles. Then I plied the singles back on themselves in either a 2-ply or chain-ply.
Going into this class, I thought I knew a decent amount about how to spin with color. I’m not a beginner, but there’s clearly still a lot to learn. The thought isn’t disappointing or depressing. It’s exciting because there are still things to try and and techniques to play with. Learning anything is a journey, not a destination.
2 of my favorite samples came from fiber that’s way outside my usual picks. I sampled with Northern Lights top in the very bright Circus colorway. The top yarn is spun without changing anything about the color at all. But for the bottom yarn, I held two sections of the top together so that drafting created an eye-catching heather. I’d knit with this yarn.
My other favorite sample came from roving dyed by Hummingbird Moon. It’s splotchy with black, white, purples, bright green, and neon pink. Drafting mellows and heathers the colors so that they work together. The bright green and pinks create interesting pops of color that draw the eye instead of push it away. I’m rather smitten, and happy to have some of this fiber stashed away for later.
I came home with a lot of samples and a bit of homework too. The next class is all about how plying affects color and I need to bring well-rested singles. Won’t be waiting to the last minute to get this done. I’m actually happy to have this assignment because it gives me a non-negotiable deadline inside my 100 Day Project. No figuring out what to do that day from a dozen possibilities. No convincing myself that I could just do it later. Plus, the different colors and methods are a nice break from my long-term projects. Time to get back to spinning.
One of goals for 2017 is to get back to my wheel and spin more yarn. Writing it down is one thing, actually doing it is another. So to keep myself accountable and accomplish this goal, I’m joining #the100DayProject. Simply put, the 100 Day project is a world wide art project where you do one small thing for 100 days. This cute video explains it well.
I’m going to keep my rules simple and convenient so I can keep the project going for the long haul. Plus, I want to improve my improve my spinning skills and knowledge.
Today, April 4th, is Day 1 and first bit of handspun is on the bobbin. I’m continuing with the purple gradient - nothing said I had to start a brand new project after all. I’m on the 3rd of 8 nests and curious to see it all spun up.
Are you doing #the100DayProject? What’s your one small thing?
Hi! My name is April Klich. I write about knitting, spinning, and straight up making with a focus on playing and finding joy in the process.
